{"id":176,"date":"2020-06-24T00:00:00","date_gmt":"2020-06-23T22:00:00","guid":{"rendered":"http:\/\/novysmer.cz\/index.php\/2006\/07\/05\/publicita-vyda-za-tisic-bomb-3\/"},"modified":"2020-06-19T23:18:55","modified_gmt":"2020-06-19T21:18:55","slug":"publicita-vyda-za-tisic-bomb-3","status":"publish","type":"post","link":"http:\/\/novysmer.cz\/index.php\/2020\/06\/24\/publicita-vyda-za-tisic-bomb-3\/","title":{"rendered":"PUBLICITA VYD\u00c1 ZA TIS\u00cdC BOMB (3)"},"content":{"rendered":"<p>ZLO\u010cINY PUBLICITY V MODERN\u00cd V\u00c1LCE<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\">KULTURA A MEDIA<\/p>\n<p style=\"text-align: justify;\">Model Ameriky, zem\u011b, kde 90 % kultury je financov\u00e1no soukrom\u00fdmi podniky, pomohl evropsk\u00fdm zem\u00edm k tomu, \u017ee se rozpadlo ve\u0159ejn\u00e9 financov\u00e1n\u00ed v t\u00e9to oblasti. Postupn\u00e9 se st\u00e1t, ve Francii i jinde, finan\u010dn\u011b a t\u00e9\u017e politicky zbavuje kultury.<\/p>\n<p style=\"text-align: justify;\">30 % francouzsk\u00e9 kultury je sponzorov\u00e1no bankami, poji\u0161\u0165ovnami, zem\u011bd\u011blsko-potravin\u00e1\u0159sk\u00fdm pr\u016fmyslem, kde si lze dom\u00fd\u0161let nezi\u0161tnost. Kdo uv\u011b\u0159\u00ed tomu, \u017ee obsah takto zar\u00e1movan\u00fdch d\u011bl se nezm\u011bn\u00ed?<\/p>\n<p style=\"text-align: justify;\">T\u00e9m\u011b\u0159 ve\u0161ker\u00e9 psan\u00e9 informace ji\u017e \u0159adu let vydr\u017eely jen d\u00edky reklam\u011b na alkohol a tab\u00e1k. Evropsk\u00e1 sm\u011brnice zakazuj\u00edc\u00ed jak\u00e9koliv vyb\u00edzen\u00ed ke kou\u0159en\u00ed, je\u017e se stala ve Francii \u201e\u00c9vinov\u00fdm z\u00e1konem&#8220;, p\u0159ivedla \u00fapadek \u010detn\u00fdch publikac\u00ed a oslabila jin\u00e9. To d\u00e1v\u00e1 p\u0159edstavu o k\u0159ehkosti, jakou dos\u00e1hla na\u0161e media spoutan\u00e1 t\u011bmito firmami a zcela na nich z\u00e1visl\u00e1. Pouh\u00e1 zm\u011bna strategie firmy nebo \u201eobch. \u0159ed.&#8220; a publikace mohly p\u0159estat vych\u00e1zet ze dne na den, proto\u017ee se zruinovaly. Kdo se pak m\u016f\u017ee divit, \u017ee ti, kte\u0159\u00ed poukazuj\u00ed na nebezpe\u010d\u00ed z kou\u0159en\u00ed tab\u00e1ku, jedn\u00e9 z nejv\u011bt\u0161\u00edch n\u00e1vykov\u00fdch drog, nemohli nikdy nal\u00e9zt ohlas ve francouzsk\u00e9m tisku (na rozd\u00edl od ha\u0161i\u0161e, kter\u00fd nen\u00ed nik\u00fdm sponzorov\u00e1n a na jeho\u017e \u201enebezpe\u010d\u00ed&#8220;, je\u017e je sm\u011b\u0161n\u011b mal\u00e9 ve srovn\u00e1n\u00ed s tab\u00e1kem, se objevuje na prvn\u00edch str\u00e1nk\u00e1ch ka\u017ed\u00fd t\u00fdden.<\/p>\n<p style=\"text-align: justify;\">U kultury se poznen\u00e1hlu projevuje zm\u011bna mentality. Mnoz\u00ed tv\u016frci ji\u017e nepo\u010d\u00edtaj\u00ed se sv\u00fdm \u00fasp\u011bchem u publika, ale s pouh\u00fdm uspokojen\u00edm toho. kdo je financuje, na n\u011bm\u017e z\u00e1vis\u00ed, zda d\u00edlo existuje \u010di nikoliv, s d\u016fsledky, je\u017e se daj\u00ed uhodnout z jeho obsahu.<\/p>\n<p style=\"text-align: justify;\">Sponzoring postihuje ji\u017e 75 % televizn\u00edch vys\u00edl\u00e1n\u00ed ve Francii (z \u010deho\u017e 20 % stupidn\u00edch her, kter\u00e9 zauj\u00edmaj\u00ed nejsledovan\u011bj\u0161\u00ed vys\u00edlac\u00ed \u010dasov\u00e9 \u00faseky). Ponen\u00e1hlu nahradil v o\u010d\u00edch pracovn\u00edk\u016f v reklam\u011b publicitu v jej\u00edm p\u0159esn\u00e9m slova smyslu. Je to odpov\u011b\u010f na p\u0159ep\u00edn\u00e1n\u00ed program\u016f televizn\u00edmi div\u00e1ky, obt\u011b\u017eovan\u00fdmi reklamou, kte\u0159\u00ed p\u0159ep\u00ednaj\u00ed kan\u00e1l, kdy\u017e se reklama objev\u00ed. Nyn\u00ed tomu nelze uniknout, reklama je uvnit\u0159 programu! A co je hor\u0161\u00ed, \u017ee asi 50 % rozpo\u010dtu francouzsk\u00e9 televize p\u0159ich\u00e1z\u00ed z obchodn\u00edch p\u0159\u00edjm\u016f, zat\u00edmco v z\u00e1sad\u011b by to m\u011blo b\u00fdt O %.<\/p>\n<p style=\"text-align: justify;\">Vrchol se naz\u00fdv\u00e1 \u201ebartering&#8220;, jde zcela jednodu\u0161e o kompletn\u00ed vys\u00edl\u00e1n\u00ed navr\u017een\u00e9 kan\u00e1l\u016fm na kl\u00ed\u010d, ji\u017e zcela zrealizovan\u00e9 s reklamou uvnit\u0159 &#8211; fejeton, hra. dokumenta\u010dn\u00ed vys\u00edl\u00e1n\u00ed&#8230; kan\u00e1l nemus\u00ed nic d\u011blat, nemus\u00ed platit ani re\u017eis\u00e9ra, ani autory, ani techniky, ani koment\u00e1tora a dokonce ani p\u00e1sku filmu nebo studio, a ani nemus\u00ed p\u0159em\u00fd\u0161let, jak sv\u00e9st televizn\u00edho div\u00e1ka, nemus\u00ed hledat pen\u00edze na produkci, sta\u010d\u00ed jen vz\u00edt kazetu a odvys\u00edlat ji &#8211; jako ve snu&#8230;<\/p>\n<p style=\"text-align: justify;\">St\u00e1le v\u00edce cht\u011bj\u00ed tito sponzo\u0159i vystoupit z utajen\u00ed a n\u011bkter\u00e9 chyby kter\u00e9 prozrazuj\u00ed, je odhaluj\u00ed. Jm\u00e9no sponzora je \u010dasto p\u0159\u00edli\u0161 velk\u00e9 proti jm\u00e9nu um\u011blce na plak\u00e1tech znetvo\u0159en\u00fdch logy. Jak\u00e1 je to odm\u011bna pro spisovatele, kde jm\u00e9no firmy figuruje v n\u00e1zvu, jako Pro-mio Strega nebo AKO- Literatuurpr\u00edjs? Jak\u00e9 je to ocen\u011bn\u00ed, kdy\u017e se objev\u00ed ve spojen\u00ed s Belga Jazz Festivalem?<\/p>\n<p style=\"text-align: justify;\">Firma Cointreau sponzorovala v pa\u0159\u00ed\u017esk\u00e9m Zenithu ve\u010der \u201eMlad\u00fd Tance&#8220;. Ale jej\u00ed logo v plamenn\u00fdch p\u00edsmech um\u00edst\u011bn\u00e9 v pozad\u00ed sc\u00e9ny b\u011bhem p\u0159edstaven\u00ed jedn\u00e9 velmi zn\u00e1m\u00e9 choreografky nebylo dob\u0159e pochopeno obecenstvem, kter\u00e9 sponzora vyp\u00edskalo.<\/p>\n<p style=\"text-align: justify;\">Toto v\u0161echno m\u00e1 vliv na obsah. U fikc\u00ed mus\u00ed b\u00fdt povinn\u00e9 p\u0159\u00edb\u011bhy zn\u00e1my (v dom\u011b lze podstr\u010dit mnoho p\u0159edm\u011bt\u016f) &#8211; konce jsou \u0161\u0165astn\u00e9. Politika, n\u00e1bo\u017eenstv\u00ed, \u00favahy jsou zapuzeny. Ka\u017ed\u00fd mus\u00ed m\u00edt mo\u017enost up\u0159\u00edt se na hrdiny, zlomysln\u00edci jsou dob\u0159e identifikov\u00e1ni. P\u00edsni\u010dky jsou vesel\u00e9. Koment\u00e1to\u0159i to jsou p\u0159edev\u0161\u00edm koment\u00e1torky, pokud mo\u017eno s velk\u00fdmi \u0148adry. Nau\u010dn\u00e1 nebo v\u011bdeck\u00e1 d\u00edla nemaj\u00ed \u017e\u00e1dnou \u0161anci a hlavn\u011b vl\u00e1dne z\u00e1sada \u201emore of the same&#8220; (v\u00edce od stejn\u00e9ho).<\/p>\n<p style=\"text-align: justify;\">Radik\u00e1ln\u011bj\u0161\u00ed zp\u016fsob je, kdy\u017e firmy zcela financuj\u00ed kan\u00e1ly zvl\u00e1\u0161t\u011b v zem\u00edch p\u0159\u00edli\u0161 chud\u00fdch na to, aby produkovaly sv\u00e9 vlastn\u00ed programy. V Africe \u0159\u00e1d\u00ed ku p\u0159\u00edkladu Nestl\u00e9. kter\u00e1 takto vtlouk\u00e1 do div\u00e1k\u016f jednotnou my\u0161lenku a p\u0159eva\u017euj\u00edc\u00ed kulturu v\u00edt\u011bzn\u00e9ho Z\u00e1padu a ti pak nemaj\u00ed jinou mo\u017enost, ani p\u0159\u00edstup ke sv\u00e9 vlastn\u00ed kultu\u0159e. Jinde zas velk\u00e9 \u201estudijn\u00ed&#8220; instituty s v\u011bdeckou expert\u00edzou vytv\u00e1\u0159en\u00e9 samotn\u00fdmi firmami, \u017eiv\u00ed media jedinou my\u0161lenkou a ta nejsou p\u0159\u00edli\u0161 ochotna si vyhledat informaci u pramene. A tak ty nejhor\u0161\u00ed absurdnosti se opakuj\u00ed a trvale se uchov\u00e1vaj\u00ed, aby se pokra\u010dovalo stejn\u00fdm sm\u011brem, jak ukl\u00e1d\u00e1 reklama. Skand\u00e1lu se zne\u010di\u0161t\u011bn\u00fdm vzduchem v Pa\u0159\u00ed\u017ei trvalo deset let, ne\u017e pronikl do na\u0161ich novin financovan\u00fdch automobilov\u00fdm pr\u016fmyslem. Rovn\u011b\u017e skand\u00e1l s d\u011btskou prac\u00ed v n\u011bkter\u00fdch zem\u00edch &#8211; tyto d\u011bti pracuj\u00ed pro hlavn\u00ed sponzory na\u0161ich kan\u00e1l\u016f (na \u010cele s firmou Nike). Slavn\u00fd Jean-Picrre Coffe, jinak zna\u010dn\u011b pou\u017e\u00edvan\u00fd v reklam\u011b, kter\u00fd ale opustil televizi znechucen\u00fd t\u00edm, co vide\u00ed, p\u0159iznal ned\u00e1vno v Parisien Libore: ..Zkuste j\u00edt do kan\u00e1lu F2, F3 nebo do n\u011bkter\u00e9ho komer\u010dn\u00edho kan\u00e1lu a odvys\u00edlat kritiku na n\u011bkter\u00fd v\u00fdrobek skupiny Danone. Je to zak\u00e1z\u00e1no, jste p\u0159eru\u0161en. A jeliko\u017e j\u00e1 jsem svobodn\u00fd \u010dlov\u011bk, nem\u00edn\u00edm se pod\u0159\u00eddit. A proto budu d\u011blat n\u011bco jin\u00e9ho.&#8220; Ostatn\u00ed koment\u00e1to\u0159i nem\u011bli takov\u00e9 z\u00e1brany.<\/p>\n<p style=\"text-align: justify;\">Proti fanou\u0161k\u016fm, kte\u0159\u00ed m\u011bn\u00ed a p\u0159ep\u00ednaj\u00ed kan\u00e1ly jakmile reklama p\u0159eru\u0161\u00ed jejich film, byla vymy\u0161lena finta &#8211; reklama nen\u00ed ji\u017e v reklamn\u00edm \u0161otu, ale p\u0159\u00edmo v samotn\u00e9m filmu. Posledn\u00ed tah je ale takov\u00fd, \u017ee se koup\u00ed n\u011bkolik sekund z filmu \u201evelk\u00e9 spole\u010dnosti&#8220; a nech\u00e1 se tam vpravit propaga\u010dn\u00ed vlo\u017eka. Mezin\u00e1rodn\u011b \u00fasp\u011b\u0161n\u00e9 filmy (Total recall. Vzpom\u00ednka na budoucnost 2, Den bou\u0159e, v\u0161echny filmy Jamcsc Bonda) jsou takto nad\u00edv\u00e1ny velkoplo\u0161n\u00fdmi v\u00fdrobky s n\u00e1zvem zna\u010dky, vlo\u017ekami sestaven\u00fdmi samotn\u00fdmi firmami a nikoliv autorem, re\u017eis\u00e9rem nebo producentem. Samotn\u00ed scen\u00e1rist\u00e9 mus\u00ed upravit sv\u016fj p\u0159\u00edb\u011bh t\u00e9to p\u0159\u00edtomnosti, kter\u00e1 \u010dasto p\u0159ich\u00e1z\u00ed, jako vlas v pol\u00e9vce. Ve Francii se oba \u201eN\u00e1v\u0161t\u011bvn\u00edci&#8220; setkali s ve\u0159ejn\u00fdm \u00fasp\u011bchem a p\u0159itom dot\u00e1hli tuto uvedenou z\u00e1sadu do jej\u00edho vrcholn\u00e9ho bodu, kdy\u017e se p\u0159itom pou\u017eila paroduj\u00edc\u00ed s\u00edla efektu.<\/p>\n<p style=\"text-align: justify;\"><em>Pokra\u010dov\u00e1n\u00ed <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ZLO\u010cINY PUBLICITY V MODERN\u00cd V\u00c1LCE<\/p>\n","protected":false},"author":1,"featured_media":2983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[8,435,10,9],"tags":[49,40],"_links":{"self":[{"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/posts\/176"}],"collection":[{"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/comments?post=176"}],"version-history":[{"count":1,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/posts\/176\/revisions"}],"predecessor-version":[{"id":2797,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/posts\/176\/revisions\/2797"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/media\/2983"}],"wp:attachment":[{"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/media?parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/categories?post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/novysmer.cz\/index.php\/wp-json\/wp\/v2\/tags?post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}